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I start my paintings on the wall with acrylics and then I lay them on the floor to coat them with resin", she explains, "after reinstalling them on the wall, I then use oil paint". It is as if a choreography emerges in this elaboration of her paintings, where each medium "is used systematically for its own qualities". For the artist, the idea is to "create something singular, an object, a physical presence". The energy of dance, the lightness and strength of a grand jeté, for example, animate Racana-Weiler's dynamic compositions, and generate an …