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Potential explosions of color and fields of static forces alternate in the canvases of Max Frintrop and Marco Neri. The former, a German artist who lives and works in Düsseldorf, contradicts the motionless two-dimensionality of the canvas by alternating it with a chromatic and gestural dynamism. Layers of senses and meanings seem to cancel the horizon and the structure of the work, making us understand how the appropriation of reality is not part of the artist's intentions. The depth investigated by Frintrop meets its limits in the deconstruction of geometry, in the dissolution of the …