About

I archive images and make a folder for each painting and tend to think about them as individual projects. I am interested in painting as a possibility of encountering what images do in relation to how they are made and appear to us. I have always been fascinated by the moment of glitch– a visible instance of the separation between the technology of fabricating and representing images and what they do/show. I use various palette knives, rollers, airbrush and masking tapes to create complex, highly detailed surfaces so I can accentuate the significance of technique, tools and materials to …