The exhibition Inhabiting the World approaches the complexity of human beings through their relationship with the world.
Attracted by Nasreddine Bennacer’s singular piano that from the exhibition space, the visitors happen to encounter the voices of twelve artists, who, turn by turn, amaze, warn and gather.
In his essay Habiter le monde (2017) Felwine Sarr defines: “To inhabit the world, it’s …
In his essay Habiter le monde (2017) Felwine Sarr defines: “To inhabit the world, it’s conceiving oneself as being part of a space wider than one’s ethical group, one’s nation… It’s fully inhabiting the histories and richnesses of the humanity’s plural cultures.” To inhabit the world is …
