About

For years Antonio González has worked the codes and keys of an archetype of abstraction that responded to rational, synthetic or mental logics. However, in recent times, his concern for attending to other types of rhythms, closer to the situations generated by nature, has been constant.

The result of this interest is a series of oil paintings on sackcloth, in which the compositions and movements of the painting are lighter, less intellectual.

Gilles Clément's studies -especially in his way of understanding the garden in movement- clearly illustrate this idea of a nature that, ambiguous …