About

Sinéad Breslin and Anne Buckwalter express through their pictorial work the renunciation of an explicit narrative structure, allowing for the thickening of a sense of atmospheric suspension. A common nostalgia pervades the intimate visions of apparently familiar places and contexts, grafts of lived and remembered spaces. The scenic construction of the works situates the spectator in a constant voyeuristic posture, which never disambiguates the legitimacy of the gaze: it is us who are forcing our presence, breaking in without permission, or are we invited to participate in the vision?
These …