About

“I have known Sinéad Breslin since April 2018, when she wrote to me asking to participate in Palazzo Monti in Brescia, a newborn residence. Her works impressed me tremendously. Seven months passed, Bréslin arrived in Brescia in November of the same year and created extremely powerful works, which I still remember clearly. The human figure represents the seminal point of Bréslin's work, the basis on which the artist creates two parallel stories but with different origins and destinations: on one hand her life and memory generate images of family members, acquaintances and friends; on the …