In Abstracted Reflection 2, Min Zaw further emphasises and amplifies the creased plane in his works but apply acrylic on canvases instead. It was in 2007 that Min Zaw unexpectedly noticed the crumpled paper on his studio floor, a creased texture that arose contortions liked the struggling of the canvas. To him, these textures are significant; it’s contrary of forms and flatness, calmness and shaking, clearness and complexity, and at the same time, it is visually very simple and attractive.