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Some "conceptual" artists neglect the workmanship of their pieces, confident in the forcefulness of the idea. The idea, they affirm, is valid for the form. The delight in the form, the technique to master it - they assure - are things of the past. The idea is the work.

Lidzie Alvisa Jiménez, who is (also) a conceptual artist, does not seem to agree with these assumptions. His creations show a finish, an invoice, an aesthetic vocation such that they would be worth it for that alone. Lidzie is interested in the framing, the harmonious relationship between the elements of the …