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The most recent series of Frank González Martínez (Las Tunas, 1989) discuss a dreamlike vision of the urban landscape, understood as a neutral space, free of obvious conflicts.
Streets, buildings, squares and bridges are usually empty. It is almost always a spooky city, rarefied (depending on the series) by "filters" or by layers of resin.
Cities that do not exist beyond dreams are evoked. It is as if the artist tries to isolate the architecture of the people who could animate it.
Not even in the most diaphanous recreations of buildings and places do you bet on faithful reproduction, …