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In the works of Carlos Cruz-Diez and Luis Tomasello, activated by their object character, there is an approach and a reflexive proposal expressed in a contemporary visual system which is “factual” in its elaboration and “effectual” in its perception. The foundations of the dialectics between the artistic object and its non-conventional identity lay on the expressive force of the formlessness revealed by Cruz-Diez in his well-known Fisicromías, wherein the interactive behaviour of colour is projected onto space, and by Tomasello in the animation of shifting reflections of a system of …