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Have you ever reflected on the vital time we dedicate to the discomfort of our bodies, struggling to free ourselves from those psychological or biological layers that obscure or distort our existence? Lygia Clark (Belo Horizonte, Brazil, 1920 – Rio de Janeiro, Brazil, 1988) did. After establishing herself as a leading figure in Brazil’s Neo-Concrete vanguard, Clark devoted the final phase of her career to creating a form of art that lay somewhere between experimental sculpture and psychoanalytic therapy. In 1957, by signing the “Neo-Concrete Manifesto”, she officially broke away from …