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Highlighting two seemingly opposing practices, the exhibition exposes Twombly’s rich visual lexicon of mark-making and gestural abstraction, pairing it with the reductive nature of Koons’ machine-made fabrications while teasing out underlying elements that suggest a commonality that is perhaps not all it appears to be.

The title of the exhibition has its genesis in Koons’ monumental painting, Primal Swish. Executed between 2008-11 this rich tapestry showcases a multi-layered explosion of energetic swirls whose energy is jarred against the serenity and three-dimensional lure of a rose. There …