About

With this new body of work, Kabangu has scoured his illusory recollection of dreams he recalls having as a child. The exhibition title, which translates to "Childhood Dreams," suggests Kabangu's preoccupation with intangibility: first, the inaccuracy of memory, but also the opacity of our childhood, which for many of us seems preternaturally shrouded in mystery. Kabangu's work is naturally investigative of psychological states; his instantly recognizable style and the recurrent face/visage motif that occurs through his work functions almost as a stand-in (less) for Kabangu …