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The core of the exhibition is formed by the four large-scale paintings "Abendrot", "Vos", "IJs" and "Git". Each of these works embodies a color to which Zandvliet assigns a suitable form, an image in which the color manifests most optimally. This selection is based on the artist's subjective perception, but its starting point is always the color itself. Against this background, questions arise about the interplay of form and color, which are discussed again and again in the contexts of natural sciences and cultural studies. The titles of the four …