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The experimentation engaged in over the last few years by those traditional contemporary artists who have explored the new media and new audience of crypto art, bears parallels with the work of those early pioneers of contemporary music who were searching for new tools and new sounds at the birth of the three-minute pop song. For traditional artists, often not being digital natives, the limitations and possibilities of crypto art have been fascinating - and adding a musical element has only seemed to accentuate this.

Burt Bacharach used to call his three minute compositions ‘miniature movies’ …