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The logic of formal shapes in pictorial compositions is an assumption of the existence of the supposedly amorphous. After all, it was during and shortly after World War II, from 1943 to 1950, that the art movement of amorphous art (Art Informel) emerged in France. It tried to include the abstract and gestural tendencies that developed both in France and the rest of Europe during the devastating war. Perhaps the very need to express the anguished and ravaged face of Europe and subsequently the hope for a reconstruction of the "ruins", material and non-material, gave birth to the …