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Almost all the artists of this exhibition are made up of painters. The proposition, however, was to think of the use of color outside the boundaries of the painting: of the brushes, the vane, and the flax. Thus, works in engraving, photography, objects and digital devices, were called to elucidate, primarily, the distinction of color as a matter of language, as a state of vibration of the visible and anima of images.

From the melancholy of blacks to the passion of reds, color is thought to be the inducer or recipient of states of mind and mood: color as a symptom or invocation of what is …