About

I make no difference in my work between collage and painting, or between a drawing and a
photograph which has been cut out, retouched and then reassembled. Often one is the
consequence of the other. The combination of different types of paper, whether they are
photographic cuttings or not, is the result of a painterly choice like putting a warm colour next to
a cool one.
The difference between my artistic practice and The Crash Test is that the confrontation that
occurs in painting is not resolved with a definitive diagnosis. It takes a very long time to find an
answer to the tensions in my work …