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The spatial pieces by Ascânio MMM have a public bent, springing from their basic link with the constructivist tradition and, more specifically, a proximity with architecture and with the notion of structure. For this reason many of his works have been installed in open spaces, outside galleries or museums. In the case of this exhibition, the pyramidal typology, referring to historical totemic forms, is combined with a new, more open and abstract work (Quasos/Prisma 1), whose scale allows people to penetrate its interior space and cross through it. Its diaphanous consistency denotes an intense …