About

The contradiction of landscape and geometry: small squares, walls, windows, pink- and earthy-orange-toned buildings reminiscent of 1960s work by the Mexican architect Luis Barragán occur in uninhabited landscapes. With the distance of the passerby, we come upon structures that displace, and not fully understanding what the place is, one notices a feeling of tropical humidity. The contrast happens anew with each painting, maintaining a sort of uniformity, a system, like a slightly reformable archetype, but with the same impact every time: we do not fully understand what place this is.

After …