About

n her trajectory, Simone Cupello passes through film and architecture, and only from 2013 onwards will she effectively begin work as a visual artist. Her poetics are fundamentally based on the resources of photography and the image in an expanded field. The non-conventional use of found photographs, seen by her as “technological residue” and operated in bundles, points to the direction her research takes: the materiality of the image, and, with it, inherent antagonistic issues, such as technology and affects, presence and virtuality, memory and oblivion. The great archive of photographs …