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In an image by Jacques Henri Lartigue, the nanny Dudu raises her eyes to the sky to follow the flight of a ball before it falls back to earth; weightlessness made visible by the photographic act. Meanwhile, in the work of the painter John M. Armleder, the representation of circular forms on canvas resulted in a minimalist and conceptual movement. In each case, rotundity and weightlessness manifest themselves.
This resonance between the photograph and the painting is central to the Déclics Analogiques exhibition that has been conceived by Anna-Patricia Kahn and Catherine Issert. Ms. Kahn is a …