The exhibition features McCoy’s newest series of portraits that derive from memories, taken from her family’s photo albums. The paintings are not an archival documentation, but rather stand as memory traces of the original images, scrubbed of their details, balancing between the precipice of familiarity and anonymity and blurring private and public identity.
For Cadillac4, the artist shifts focus …
For Cadillac4, the artist shifts focus on different types of engagements between friends formed within family bonds and her family´s extended chosen family. In search of understanding how people are presented and present themselves, …
