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The artistic practice of Răzvan Anton stems from this reflectivity
applied over the drawing process and in the development of relations between visual subject and its successive rendering in different graphic medias. The meanings are altered according to the materials through which the artist is applying systematic treatments to the images often present in the public debate. The consequence of these treatments is the preservation of an area of reflectivity over the practice of drawing, of the discourses which legitimize this practice and over the source of legitimization in the need of Memory. …