About

this accompanying exhibition letter is not educational, revealing, rather it is about hiding.
mechtild frisch hides behind her “painting pieces”, the colors she wants to touch, disappears behind them,
holding the piece in front of herself, she becomes invisible to us; only she can see something through these
peepholes, something that we don't see. here she plays with the photographer wolfgang lukowski, who sees
through this process, captures the painting, reveals the invisible mechtild behind it, shows her hands holding
the painting almost clearly, very clearly.
she has been doing this in all …