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Contemporary Chinese painting is starting to make a turnaround in the direction of beauty itself. This beauty is internal, but also relates to a refinement of color, the mindfulness of viewing. Otherwise put, through a perceptual link between temperament (xinxing) and nature (ziran), colors are once again allowed to let their auras radiate. These paintings are possessed of the natural and poetic meaningfulness of the Chinese color palette, yet they also possess the richness of Western contrasting colors as well as the conceptual qualities of monochromatic painting. The most important question …