About

Every time I meet the work of David Manzur, I am surprised by aspects of his production that had gone unnoticed. It is not, of course, his domain in representation, nor the technical and conceptual heritage that underpins his work, nor his independence from the definitions accepted by the majority, nor his expert fusion of history and contemporaneity which grants him a definite personality to the works of his last periods. It is more a matter of less defining aspects for the recognition of the excellence of its production, but that in any case greatly enrich the interest that its images …