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The work of Emanuel Seitz roams the immensity in which Sonia Delaunay located abstract art, that
which for her was relevant only if its interminable rhythm brought about an encounter between the
remote past and the distant future. The same idea was suggested by Guillaume Apollinaire, who
understood that the visual virtues of the painter undoubtedly meant taking in the scope of the past,
present and future in a single “glance”. It is against that immense space that Seitz’s painting presents
itself, in the artist’s third solo exhibition at the Galería Heinrich Ehrhardt: between the primordial and
the …