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On the second floor, in An essay on drawing, professor and print maker Claudio Mubarac has curated a small show of drawings from the gallery’s collection. For Mubarac -- who also curated the exhibit Goeldi/Jardim, printmaking and the compass, which was ranked among the 10 best in the world by Hyperallergic in 2016, one of the leading online art journals of international renown -- organizing this exhibit posed two challenges in particular: “the actual selection itself, owing to the exceptional quality of the works, and the challenge of creation and the diversified meanings that drawing has …