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In this, the apogee of the Metaverse, a space in which protagonists can evolve within an entirely virtual “other world”, it struck me as pertinent to show, uncritically, that painting has already offered since time immemorial a space outside of the world that is complex, unregulated, and autonomous, with its own symbols.

While the beta version of a software program is a kind of infinite prototype, the one that comes prior to the finite and perfect meta version, then painting could be considered a meta version of the world – the place where intuitions are engaged, desires in their raw state, …