About

Hélène Delprat is double, Actaeon-Diana, one who paints to assure us that painting still stands back from the noise, for having learned to lose itself. To lose.
One cannot say « no » without belonging to the world of the traveller Thomas Hutter, the young clerck in Nosferatu: « And when he had crossed the bridge, the phantoms came to meet him. » But crossing the threshold can mean something more simple than any science of vampires, for all these stories of shadows, of cinema, of stairs, of hands, of love and skulls, call only for one salutatory formula : « Leave here everything you know, …