In her solo exhibition Letha Wilson continues to test, push and learn from her chosen materials of photographic prints, metals and concrete. Each element of this exhibition carries the marks of her established studio practice where the dense and the fugitive – the substrates and surfaces –are upended and conflated. At the center of the gallery, on its concrete floor, lie two ten-foot dark steel …
In her solo exhibition Letha Wilson continues to test, push and learn from her chosen materials of photographic prints, metals and concrete. Each element of this exhibition carries the marks of her established studio practice where the dense and the fugitive – the substrates and surfaces –are upended and conflated. At the center of the gallery, on its concrete floor, lie two ten-foot dark steel pipes. Positioned end to end, they are supported by the bending rigidity of a corrugated landscape photograph printed directly onto twenty-gauge steel. This sculptural analog for the landscape of …