About

“Everything is fine” sounds like an unfounded (if not downright absurd) statement in a time and in a world which seems anything but fine, and in which a collective experience that could be summarised as everything feels increasingly fragmented into individual, often incompatible components. In view of the many cracks that the 20th century has brought with it – and which still run through our world today – post-war modernism turned to the fragment as an artistic means to lend form and meaning to a shattered and disillusioned reality. While the fragment had previously been employed as a …