About

Fragmentation, duplication, repetition, complementarity operate in Nil Yalter’s multi-layered textum
(“web” in Latin) via a combinatory process: the artist’s oblique look crosses different media and spirals through diverse interconnected topics such as migration, labour, housing and gender providing “images”, that make the continuum of history explode.
Photographs are split in a positive/negative binomial (Chicago, 1974), inscribed in coloured drawn fans (Algerian Marriage in France, 1977), mirrored and combined together with drawings in film-like stripes (EXILE IS A HARD JOB, 2015/18). …