About

The painting has neither an affiliation nor a title or a theme, but a state
of truce to reconcile with one’s self-mirrors. We only see our faces in
others’ mirrors; the characters of the painting are reduced in a space
of elimination and deletion of all the beginnings, it is a confused and
ambiguous relation with time. The surprise of the first moments of the
line, the magic of the transparent layers, and the memory of white,
as in the large paintings of the wasteland (loss or straggling (canvas
1 m x 10 m)), all convey the wounds of questions and the death and
tombstones of the place. There is only …