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There is a conceptual and procedural circularity in Johannes Bosisio’s work that binds his series of pieces inextricably to one another, much like the subjects he explores are interconnected. One can envision this circularity as a constant movement that connects the internal with the external, the intimate with the public, the detail with the general. This circular narrative becomes a device allowing the artist to blur the edges of seemingly opposite categories on which much of his work is based, chief among them the contrast between the organic and the mechanical. This smoothing operation …