About

The exhibition takes its title from the unpublished body of photographic work Rinascita [Rebirth], a project that emerged to try to cross a series of thresholds in the artist’s personal and artistic journey – iconographically represented by the four earlier series on view: Cento giorni di solitudine (2016), Le Oscure Notti dell’Anima (2020), The Game (2021), and Love behind the Mashrabiya (2023) – in order to reach a condition of awakening and rebirth.

Nidaa Badwan embraces the Hindu philosophical thought – followed by Schopenhauer – for which the true essence of things, the immortal essence …