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Elegant work and impeccable in its realisation in which the sculpture’s material par excellence becomes symbolic of the fluid society that distinguishes us. In fact in some ways the sculpture here renounces itself, rethinking the noble material into objects which have nothing noble about them: from the pallet to the crate, from the sheet of paper to the classic office envelope destined to be ripped open and then thrown away. An allusion that becomes even more subtle in the sculptural realization of old toys, a tricycle, a child’s cot: here the bedroom of the past turns into a celebration of …