About

In The Human Condition, as it could not be otherwise, it is the characters who are intentionally given the necessary relevance to assume, in an unquestionable way, the leading role in the paintings.

In the series we can find nods to the work of the artists of the Italian Duecento and Trecento with whom the artist shares a geometric formality, references to the reconstructive diagrams of the Greek Parthenon or the inspiration in the work of the French Polish artist Balthus.

It is not by chance that at times it may seem that the character represented is always the same; not in vain in the plays …