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Hidden M Gallery will hold Kim Dong-hyung's solo exhibition <Intersection of the Two Universe of Order and Disorder> from July 6 to 22. Artist Kim Dong-hyung's work begins with an interest in the cross-section of the building. It is mainly composed of familiar cross-sections that look like raw walls have been removed, as if part of Brutalism architecture has been cut off. On top of the painting, where various grids resembling the outer and inner walls of the building are neatly arranged, parts are blurred like worn traces of old buildings, Martier stands out like sitting down with dirty dust, and sometimes free lines like cracks cross on a screen lined with orderly bricks. The artist who majored in oriental painting reorganizes the margins, which are also a representative characteristic of oriental painting, in a modern way through the act of "erasing," where you can read the intentions of Heo Sil-hoi. In fact, if you look closely at the work, the elegant colors of Hanji bloom faintly, making you realize that the white abyss that has eroded everything is empty and encompassing everything.