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This focused presentation of works by Edward and Nancy Kienholz from 1982 to 1992 demonstrates the artists’ exploration of the representation of women in a contemporary, media-saturated society.

Encompassing a series of found-object tableaux that incorporate photography, television screens, and mirrors, the exhibition is anchored by a major work from ICA Miami’s permanent collection, The Soup Course at the She-She Café (1982). The Kienholz’s elaborate found-object tableaux and assemblages famously scrutinize American society, addressing issues surrounding war, racism, and working-class …