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Although very different in appearance (one makes highly coloured abstract paintings on glass, the other monochromatic sculpture in white marble) the work of these two Edinburgh based artists shares a methodology in working with discarded, or in some way overlooked, materials.
Neither artist makes work that is explicitly addressing climate or environmental concerns, and yet both are deep-rooted in a practice that seeks to recycle and reclaim their materials in order to make new works which achieve the greatest possible impact with the smallest possible footprint.
In Kevin Harman’s case this …