About

Positioned somewhere between painting and sculpture Kevin Harman's (b. 1982, Edinburgh, Scotland) often appear to have some sort of reference to the places in art history where nature and abstraction collide, such as Turner’s seascapes or Monet’s Giverny, but their origin is in the much more urban environment of 21st century Glasgow. Working in his Govan studio Harman reclaims and recycles materials from the world of construction, salvaging discarded double-glazing units and mis-tinted household paints. He splits apart the toughened glass panels, pouring and layering the paint onto both …