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This body of work specifically highlights the landscape of a chase that predates America. Andrew is grappling with a return to home and its attendant, yet unexpected re-enchantment. They provide us an intimate, almost voyeuristic entre to the interplay between hunter and hunted. Horses, hounds, foxes, and folk are all included in what presents as rich allegory, fable, and even fantasy of the American South.
Andrew paints their creatures flatly but as lovingly as a Morandi vessel, where instead of the illusion of volume, their color palate fills us with its rich psychic depth. In one example, …