About

I begin each painting with a restrained idea of what its palette could be. This initial thought never plays out beyond
the “first draft.” My practice becomes one of altering the color relationship as each work develops. Making these
adjustments, big and small, is part of the process: changing one thing, regardless of scale, results in the need to
reconsider almost everything else. I challenge my own biases with my decisions, and seek to take a new route
with my chromatic choices.
Accomplishing a painting is not a straight path. It is a meandering and sometimes stubborn operation that takes its
own …