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"Blue protects white from innocence
Blue drags black with it
Blue is darkness made visible"
Derek Jarman, Blue (1992)

Diving into this underwater atmosphere, the body is asked to perform a specific and at the same time ambiguous choreography, halfway between swimming and flying. In Seabed Monsters and the Cosmic Rays, Luís Lázaro Matos's third solo exhibition at Madragoa, one must suspect gravity and be guided by fluctuations. A multimedia installation that emerges as a hybrid ecosystem of lights and foam, sand and planets, ships and sea creatures, confusing the depths of the …