About

Since the late 1990s, Sala has worked primarily with time-based media, often looking at the
performance of music to narrate and interpret various histories of culture and politics. Within this
exhibition, we find Sala engaging two seemingly disparate art forms that are united as condensations of time that embrace the past and the future, respectively, in fresco painting and computer-generated imagery.

Temporal elements are also fused within the historical, musical and visual aspects of the work, Time No Longer, wherein a weathered record player is portrayed floating in a space station. While …