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In a continuing exploration into the many nuances of gender identity and masculinity the new exhibition by artist Amy Elkins, titled Wallflower II, turns the camera to masculine identifying individuals from a spectrum of backgrounds. Much like Wallflower (shot between 2006-2008), the portraits stem from an ongoing intrigue regarding masculine identity when stripped of personal context - sitting bare within a constructed, impermanent environment. Unlike Wallflower, which aimed the lens at cisgender men almost entirely photographed in my personal space, Wallflower II explores a much broader …