About

The exhibition unfolds in two parts: the first dedicated to colour, the second, to landscape, or geography, both abstract and figurative.

Bertrand Lavier’s practice makes key use of irony and humour: the artist is on a constant, light hearted, investigation of art itself. The analysis of medium and gesture is explored in the relationship between the pictorial element and objecthood.

In the first room, Lavier’s iconic “readymades” are presented alongside vibrant red, silver and white abstract monochromes. A central figure of conceptual art, and more specifically in artistic appropriation, …